By admin /

I would imagine Ludovic Morlot and Karl-Heinz Steffens are thrilled – in a Gore Vidal ‘a little part of me dying when a friend succeeds’ sort of a way – that their. Henri Dutilleux. Métaboles, for orchestra. Composition Information ↓; Description ↓; Parts/Movements ↓; Appears On ↓. Share on. facebook · twitter · tumblr. Find album reviews, stream songs, credits and award information for Dutilleux: Métaboles; Sur le même accord; Symphonie No. 1 – Paavo Järvi, Orchestre de.

Author: Arashiran Bracage
Country: Sao Tome and Principe
Language: English (Spanish)
Genre: Technology
Published (Last): 24 May 2004
Pages: 79
PDF File Size: 2.43 Mb
ePub File Size: 7.55 Mb
ISBN: 823-1-88027-123-5
Downloads: 34034
Price: Free* [*Free Regsitration Required]
Uploader: Zulkilabar

Views Read Edit View history. The strings only have the melody for a brief period in “Incantatoire,” and that brief melody becomes the basis for the second movement, “Lineaire,” written solely for the strings. Please enable JavaScript in your browser to use the site fully. The music itself is slow and nocturnal, with Dutilleux ‘s marvelous ear for timbres providing some gorgeous sounds.

Compositions by Henri Dutilleux compositions Compositions for symphony orchestra Music commissioned by the Cleveland Orchestra Classical composition stubs. The piece is cast in five overlapping movements that are played without pause.

Throughout the movement, there is only durilleux prominent melodic line at a time, which gives it a “linear” feel. Ainsi la nuit Sonatine for Flute and Piano.

Métaboles – Wikipedia

Dutilleux indicates that “towards the end of each piece, a new motif appears as metables filigree under the symphonic texture and ‘sets the bait’ for the next piece, and so on It combines various melodic, harmonic, and rhythmic elements from the first four sections before reinstating the E natural chords heard at the very beginning and then rushing to an exhilarating coda. The E natural becomes a pivotal point for the entire work.


AllMusic Featured Composition Noteworthy. In other words, throughout the work, various melodic, harmonic, and rhythmic ideas are presented and then mettaboles modified to the point that they transform into something radically different and undergo a complete change of nature. The whole orchestra then rushes headlong into a rousing coda.

In the composer’s own words:. This page was last edited on 2 Septemberat By using this site, you agree to the Terms of Dutillekx and Privacy Policy.

Dutilleux: Métaboles; Sur le même accord; Symphonie No. 1

Streams Videos All Posts. After Henri Dutilleux completed this work, which was commissioned by the Cleveland Orchestra under George Szellhe looked up all the dutilleyx beginning with the prefix “meta-” in the dictionary to find a title for dutlleux. In the early s, Dutilleux wanted to move away from traditional musical forms and develop new structures that changed according to the internal logic of a particular piece.

You can help Wikipedia by expanding it. Sexy Trippy All Moods.

Rainy Day Relaxation Road Trip. Drinking Hanging Out In Love. Retrieved 22 January AllMusic relies heavily on JavaScript. The Harvard Biographical Dictionary of Music. Introspection Late Night Partying. The last movement is marked “Flamboyant,” and it brings all the instruments together. In Dutilleux ‘s piece, the word describes the structure dutilleuux the work, as each of the five brief orchestral movements is a transformation of the movement that succeeds it, and the final movement combines all that has come before.


Retrieved from ” https: From Wikipedia, the free encyclopedia.

DUTILLEUX Métaboles |

Share on facebook twitter tumblr. The Cambridge Companion to the Orchestra. The work is in five linked movements. It opens with a series of chords played by the woodwinds and centered on E natural, with short interjections by pizzicato strings and harp. Similarly, an idea dutillrux in a double bass solo becomes the seed for the third movement, which is dominated by brass instruments and in the fourth movement, percussions outline a slowed-down reminiscence of the preceding section.

Dutilleux ‘s use of percussion is highly inventive in using motion to suggest a lack of motion. This article about a classical composition is a stub. Jazz Latin New Age. After metanoles the instruments have entered playing characteristic music from the first four movements, the winds play the E natural chords from the first movement. Romantic Evening Sex All Themes. Correspondances Deux sonnets de Jean Cassou Le temps l’horloge.

Anthology of the Royal Concertgebouw Orchestra, Vol.

Tout un monde lontain; Metaboles; Mystere de l’instant. The remainder of the movement opposes freer melodies on the clarinet, flute, and trumpet to the E naturals.

This new idea then serves as the basis for the next series of metamorphosis.