Leibowitz René e Maguire Jan – Il Pensiero Orchestrale, esercizi pratici di orchestrazione – SALVATI BARI Uploaded by Dario Ble. music. Copyright: © All. Get this from a library! Il pensiero orchestrale: esercizi pratici di orchestrazione. [ René Leibowitz; Jan Maguire]. Leibowitz, René and Maguire, Jan. Thinking for Orchestra: Practical Il pensiero orchestrale; esercizi pratici di orchestrazione. Translated by M. de Natale.
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But average passages of this type tend to confuse. Deakins and his assistants appear to be well on the way towards becoming the Clough and Cuming of the cylinder world. Il commiatos. Linked Data More info about Linked Data. Italian View all editions and formats.
However, formatting rules can vary widely between applications and fields of interest or study. Ha pubblicato, sulle citate riviste, un centinaio di saggi e articoli di prevalente interesse pedagogico e metodologico sulla didattica dell’analisi musicale e una settantina tra editoriali e recensioni specialistiche di testi italiani e stranieri.
Ma anche la citata ricca produzione scientifica. It is difficult not to compare it with the chaotic, poetic paean pre- pared by the remarkable Sergei Eisen- stein for Nestyev’s volume on Prokofiev. Please orhestrale your name. Post on Jan views. The Dictionary of Popular Music is the result of this realization. Part IV identifies approximately “Indestructible” two- and four-minute domestic and British cylinders; Part V does the same for more than “U.
Perhaps in a later printing, the American publishers can justify their price, more than double that of the English edition printed from the same plates, and immeasurably in- crease the dictionary’s orchestrae by pro- viding such a plain necessity. Please re-enter recipient e-mail address es. The E-mail message field is required.
The name field is required. Citations are based on reference standards. Advanced Search Find a Library. Such descriptive words as “infectious,” “fervent,” “unwholesome,” and “purifying,” when applied to music, may have a surprisingly concrete musical meaning to the Russian reader. Even though the information is there, it is impossible to discover for example orchdstrale composed “Little White Lies” or who wrote the lyrics for “Yes Sir, That’s My Baby” unless you happen to run across the facts accidentally in the ad- mirable entry for Walter Donaldson.
Indeed, I can find only one thing seriously wrong with it. Rather he believes that marked differences will result from lack of understanding of specific orchestration problems. Allow this favorite library to be seen by others Keep this favorite library private.
Similar Items Related Subjects: These works also follow a similar format: Gammond and Clayton came to realize that accurate information about what they call “the in-betweenery” is badly needed. The specific requirements or preferences of your reviewing publisher, classroom teacher, institution or organization should be applied. It is, for Slonimsky, quite sub- dued and is pointedly factual.
This is an aspect of his thesis which is de- batable; there are many contrasting ways to score a passage, all of which would constitute good orchestration. Don’t have an account? All the original versions are found in the second section.
Since many “practi- cal manuals” of orchestration have ap- peared, among which those by Ameri- cans such as Arthur Heacox, Kent “should prove a great boon, and may well lead to the preservation of many more of these socially significant docu- ments than would otherwise be likely. It probably would be of great interest to composi- tion students. He takes the general stand that this is an im- portant, valuable book as indeed it isbut he prepares the reader by juxta- posing such polite phrases as “Every bio- grapher has the right to establish his own attitude toward his subject,” with “In this [Nestyev] inevitably follows the established Soviet interpretation.
Nicolas Slonimsky’s foreword, perhaps intentionally, presents a contrast in prose. Please choose whether or not you want other users to be able to see on your profile that this library is a favorite of yours.
Thinking for Orchestra; Practical Exercises in Orchestrationby Ren Leibowitz; Jan Maguire
Iil a copy in the library Finding libraries that hold this item Write a review Rate this item: Search WorldCat Find items in libraries near you. Home About Help Search. GalkinNotes, Second Series, Vol.
Slonimsky bends over backwards to be fair, taking care that his thus arched position is clearly visible to the reader. Remember me on this computer. What sort of music can it be that conveys all the things in the second quoted pas- sage above?
In altre lingue Aggiungi collegamenti. Ac- cording to Leibowitz, the object is not to duplicate the original orchestration, a formidable challenge for anyone how many musicians could duplicate the opening bars of Strauss’s Don Juan, let alone Schoenberg’s Opus 16?
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